The Higher Education Strategy Associates (HESA) has selected “A New History of the Humanities” as one of the “Books of the Year”. They seem to refer to the new paperback edition of my book which came out in North America in January 2016.
The Ukrainian translation of my book “De Vergeten Wetenschappen” was selected among the best books of 2016 (from more than 500 books) at the Lviv Forum of Publishers. Click here for the broadcasting.
The 2016 Fall Issue of “History of Humanities” has just been published:
Click here for the Table of Contents.
The theme is “Going Global”:
While the academic conception of the humanities, or Geisteswissenschaften, may be a Western invention, attempts to analyze literature, art, music, language, theater, and history are not exclusively European phenomena but have originated in different parts of the world. For this reason, one of the stated goals of this journal is to advocate the study of the history of the humanities from a global perspective.1 In the first issue we included one aspect of the humanities in China. The current issue includes essays on the humanities in precolonial Mali, pre-Hispanic America, the Ottoman Empire, and the Soviet Union. What do we gain from a global perspective? A transgeographical history of the humanities not only helps avoid a parochial view but also shows to what extent practices and ideals in the humanities in different parts of the world are connected and comparable. In the current issue, Shamil Jeppie argues that the humanities in precolonial Timbuktu can be properly understood only if they are viewed as part of a larger network of learning that included North Africa and the Middle East. Sara Gonzalez asserts that Peruvian history writing focused on images as the basis for historical narratives in which the pre-Columbian rulers were connected to the Habsburg dynasty. Michiel Leezenberg draws attention to the fact that processes of vernacularization took place simultaneously in the Ottoman Empire and elsewhere in the world. Floris Solleveld focuses on Europe but discusses the notion of “revolution” in the humanities across different countries. Boris Gasparov makes us aware that, even in relation to the secluded situation of the Soviet Union, a comparative perspective is rewarding. We wish to further encourage the study of the history of humanities from a pluralistic, comparative point of view. Our argument in favor of a global perspective does not, however, exclude the journal’s other goals. In fact, this issue’s Forum contributions by Herman Paul and colleagues deal with the question of how to write a history of the humanities that transcends disciplines. They hypothesize that scholarly personae offer a promising focus for such a project. By contrasting different disciplines and scholars, they show that a comparative perspective is fruitful not only for a global but also for a primarily local history of the humanities.
“A must-read for anyone interested in the history of a broad range of the humanities. It combines case studies of great historical precision with methodological considerations of historical epistemologies, with the explicit aim of matching the work done in the history of science with equivalent historical epistemologies of the various humanistic disciplines—including philology, musicology, art history, linguistics, archaeology, theater studies, history of philosophy, media studies, Oriental studies, and literary studies—often in light of their intersections with science or the social sciences (the particular innovation of this volume).”
For more information on: Rens Bod, Jaap Maat, and Thijs Weststeijn (Editors): The Making of the Humanities, Vol. 3: The Modern Humanities, see the review by Katherine Arens.
The next Making of the Humanities conference will take place at Johns Hopkins University, 5-7 October 2016. Invited speakers are Karine Chemla, Anthony Grafton and Sarah Kay. More than 100 papers on the history of the humanities and related disciplines will be presented.
Click here for the list of papers and panels.
Some time ago, I had a two-hour debate with James Turner (author of “Philology: The Forgotten Origins of the Modern Humanities”) on how to write the history of the humanities. Not long after this debate, Anne van Dam (PhD student at Leiden University) wrote this interesting paper on our debate.
“On the first of February the early modern historical colloquium on the history of the humanities took place in the fully packed Sweelinck room of Utrecht University. For this extended colloquium the university invited Prof. dr. Rens Bod and Prof. dr. James Turner, two authors of seminal publications on the history of the humanities. Rens Bod is a professor of Digital Humanities and co-director of the Center for the History of Humanities and Sciences at the University of Amsterdam and author of A New History of the Humanities, published in Dutch in 2010. James Turner is the Cavanaugh Professor of Humanities at the University of Notre Dame and author of Philology: The Forgotten Origins of the Modern Humanities, which appeared in 2014. The afternoon at Utrecht University was the first time the two scholars met for a lively debate on the subject of the history of the humanities.”
Click here to read the full paper.
“These are exciting times for the humanities. The impressive corpus of knowledge that the humanities have discovered, created, and cultivated over many centuries is available for the benefit of more people than ever and evolving rapidly. Fresh perspectives open up as digital tools enable researchers to explore questions that not long ago were beyond their reach and even their imagination. Novel fields of research deal with phenomena emerging in a globalizing culture, enabling us to make sense of the way in which new media affect our lives. Cross-fertilization between disciplines leads to newly developed methods and results, such as the complex chemical analysis of the materials of ancient artworks, yielding data that were unavailable to both artists and their publics at the time of production, or neuroscientific experiments shedding new light on our capacity for producing and appreciating music.”
Click here for the full issue.